Many of us survived the Covid days by rediscovering old MGM musicals, humming tunes from Singing In the Rain or doing a Fred Astaire tap from Top Hat. So if they represented islands of good cheer, let ...
When you buy through links on our articles, Future and its syndication partners may earn a commission. a man in an all black outfit with yellow accents dances with a woman on point in a floral dress ...
“Taylor Swift: The Official Release Party of a Showgirl” has begun unspooling in cinemas nationwide for its limited three-day engagement, and the theatrical event’s behind-the-scenes footage and ...
DEADLINE: This seems like an unusual Sundance entry, a musical that is so polished and lavishly rendered. Jennifer Lopez ...
The music man of MGM -- All talking, all singing, all dancing, all everything -- "I wanna be a producer" -- Judy without Mickey -- The actress -- Judy's last years at MGM -- The revue, Hollywood style ...
© Credit Ana Carballosa. Courtesy of AE Ops, LLC and Mohari Media US, LLC. Director Bill Condon‘s vision for adapting “Kiss of the Spider Woman” for the big ...
The 1955 post-war musical played with darker themes than "An American in Paris" or "Singin' in the Rain" and ended up being one of the final dance-focused MGM musicals of the era. Nowadays, trying to ...
Howard Keel, the broad-shouldered baritone who romanced his way through a series of glittery MGM musicals such as “Kiss Me Kate” and “Annie Get Your Gun” and later revived his career with television’s ...
How did drab New Jersey soundstages become as bright and bold as the Technicolor movie musicals of Hollywood’s Golden Age? And how did industrial buildings on the banks of the Hackensack River become ...
Kathryn Grayson, whose beauty and lilting soprano voice brightened such popular MGM musicals of the 1940s and ’50s as “Anchors Aweigh,” “Show Boat” and “Kiss Me Kate,” died in her sleep Wednesday in ...
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