Leave it to Kelly Reichardt to make a ‘70s movie that looks and feels like a lost ‘70s movie, from its scruffy visual aesthetic to its muted colors, its patient character observation and unhurried ...

Josh O’Connor heaped praise on his “The Mastermind” director Kelly Reichardt during the film’s Cannes press conference on Saturday, saying “there’s a kindness” to working with her “which you don’t ...

The Mastermind shows Kelly Reichardt is one of the best filmmakers working today, cutting deeply into both character and ...

Kelly Reichardt’s The Mastermind can be described as a heist-gone-wrong, but it is not as interested in the act of stealing itself, as it is in the robber.

But this is Kelly Reichardt, so it’s not how she films the heist itself, which is comically bumbling and fumbling and lo-fi. Instead, it comes later, during another mordantly funny stretch which ...

Josh O’Connor stars as a wannabe criminal who fumbles a small-time art robbery in Reichardt’s ingenious evocation of 1970s suburban Massachusetts.

Kelly Reichardt's latest film, 'The Mastermind', premiered at the Cannes Film Festival to a warm reception, with the audience awarding it an 8-minute ...

With its clear blue Mediterranean waters, unpredictable May weather, red carpet glitz and glamour, and timed standing ...

Jauntier than any of Kelly Reichardt’s previous work, “The Mastermind” packs an ironic punch. That the title need not be taken literally becomes clear right from the start, of course ...

Max is losing 63 movies on June 30th, including, 20th Century Women, St. Vincent, Lady Bird, RoboCop, and Taxi Driver.